Architecture, Music, Etc.


edwardiansociety:

Barbican 3. (Taken with instagram)





socarch:

West Gate (known as Genex Tower) in Belgrade, Serbia. Designed by architect Mihajlo Mitrović. Built in 1977.


Via The architecture of the socialism

I am a wind-swayed bridge, a crossroads inhabited by whirlwinds. Gloria, the facilitator. Gloria, the mediator, straddling the walls between abysses. ‘Your allegiance is to La Raza, the Chicano movement,’ say the members of my race. ‘Your allegiance is to the Third World,’ say my Black and Asian friends. ‘Your allegiance is to your gender, to women,’ say the feminists. Then there’s my allegiance to the Gay movement, to the socialist revolution, to the New Age, to magic and the occult. And there’s my affinity to literature, to the world of the artist. What am I? A third world lesbian feminist with Marxist and mystic leanings. They would chop me up into little fragments and tag each piece with a label.

You say my name is ambivalence? Think of me as Shiva, a many-armed and -legged body with one foot on brown soil, one on white, one in straight society, one in the gay world, the man’s world, the women’s, one limb in the literary world, another in the working class, the socialist, and the occult worlds. A sort of spider woman hanging by one thin strand of web.

Who, me, confused? Ambivalent? Not so. Only your labels split me.

– Gloria E. Anzaldúa, Chicano and lesbian activist/author, 1942-2004. 





thesupermathematicalamazing:

Redscale Barbican Double Exposure #2



benjamenjudd:

“The architecture of pleasure lies where concept and experience of space abruptly coincide, where architectural fragments collide and merge in delight, where the culture of architecture is endlessly deconstructed and all rules are transgressed. No metaphorical paradise here, but discomfort and the unbalancing of expectations…Typologies, morphologies, spatial compressions, logical constructions - all dissolve. Such architecture is perverse because its real significance lies outside utility or purpose and ultimately is not even necessarily aimed at giving pleasure”

Bernard Tschumi.


Via Benjamen Judd


beconinriot:

Mathieu Bernard-Reymond ”n°5” from the Phnom Penh Series



beconinriot:

Henry Bernard ”Palais de l’Europe” Strasbourg, France


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